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| Type | List | Title [further info  ] | Series | Vol | No | Year | Pages | Status |
|---|---|---|---|---|---|---|---|---|
 | 1. | J. S. Bach: Eighteen Leipzig Chorales. | AmerOrganist(2) | 13 | 5 | 39-41 | ||
| | 2. | Johann Sebastian Bach: Piéce d'Orgue (BWV 572) | AmerOrganist(2) | 13 | 11 | 43-46 | ||
| | 3. | Italian Ornamentation. Bach's Toccata in C Major. | AmerOrganist(2) | 13 | 8 | 28-31 | ||
| | 4. | J. S. Bach's Motets, especially Jesu, meine Freude. | AmerOrganist(2) | 14 | 3 | 34-41 | ||
| | 5. | Articulation in the Music of Bach. | AmerOrganist(2) | 14 | 5 | 40-44 | ||
| | 6. | Pachelbel's Magnificat-Fugues Models for J. S. Bach. | AmerOrganist(2) | 14 | 6 | 34-37 | ||
| | 7. | Fugue on BACH. | AmerOrganist(2) | 15 | 2 | 27 | ||
| | 8. | The Art of Fugue. | AmerOrganist(2) | 15 | 3 | 44-47 | ||
| | 9. | An Approach to Playing Bach's Organ Music. | AmerOrganist(2) | 15 | 4 | 38-41 | ||
| | 10. | Fingering the Organ Works of Bach. Is Fingering a Guide to Articulation? | AmerOrganist(2) | 15 | 5 | 40-42 | ||
| | 11. | 'Passion Chorale' in Bach's Works. | AmerOrganist(2) | 15 | 6 | 34-36 | ||
| | 12. | Articulation in Bach: Interpreting Historical Evidence with Common Sense and Good Taste. | AmerOrganist(2) | 15 | 7 | 30-32 | ||
| | 13. | Buxtehude in Westfield. Bach at Harvard. | AmerOrganist(2) | 15 | 8 | 32-33 | ||
| | 14. | Why did Bach Write the 48? A Question, not Necessarily an Answer. | AmerOrganist(2) | 15 | 11 | 40-41 | ||
| | 15. | J. S. Bach's Christmas Oratorio. | AmerOrganist(2) | 15 | 12 | 39-42 | ||
| | 16. | House of Hope Bach Conference: Klavierübung III and the Cantatas come under Scrutiny. | AmerOrganist(2) | 16 | 2 | 26-27 | ||
| | 17. | New Light on Liszt's Prelude and Fugue on B-A-C-H. | AmerOrganist(2) | 16 | 11 | 44-49 | ||
| | 18. | The Bach Revival Revisited. | AmerOrganist(2) | 17 | 1 | 42-44 | ||
| | 19. | Suggestions for Playing the Works of J. S. Bach--I. | AmerOrganist(2) | 17 | 1 | 45-47 | ||
| | 20. | Notes on some Selected Organ Pieces by J. S. Bach. | AmerOrganist(2) | 17 | 1 | 47-48 | ||
| | 21. | Schumann's Organ Works. | AmerOrganist(2) | 17 | 2 | 36-38 | ||
| | 22. | Suggestions for Playing the Works of J. S. Bach-II. Harpsichord versus Organ in Six Trio Sonatas. | AmerOrganist(2) | 17 | 3 | 50-52 | ||
| | 23. | Organ Articulation in the Seventeenth and Eighteenth Centuries. Part I. | AmerOrganist(2) | 17 | 7 | 27-31 | ||
| | 24. | Suggestions for Playing the Works of J. S. Bach--III. BWV 565: A Toccata in d Minor for Organ by J. S. Bach? | AmerOrganist(2) | 17 | 9 | 42-47 | ||
| | 25. | Suggestions for Playing the Works of Bach--IV. Motifs in the Passacaglia. | AmerOrganist(2) | 18 | 2 | 38-39 | ||
| | 26. | Helmut Walcha: artist-teacher. | AmerOrganist(2) | 18 | 2 | 44-48 | ||
| | 27. | Another Look at Playing Bach. | AmerOrganist(2) | 18 | 7 | 31-36 | ||
| | 28. | Suggestions for Playing the Works of Bach--V. Motifs in the Orgelbüchlein. | AmerOrganist(2) | 18 | 9 | 44-45 | ||
| | 29. | VII. International Johann Sebastian Bach Competition. | AmerOrganist(2) | 18 | 11 | 61-62 | ||
| | 30. | Some Tercentenary Questions for the Performer. | AmerOrganist(2) | 19 | 1 | 42-46 | ||
| | 31. | Fine Arts Center ; State University of New York at Stoney Brook ; "Bach-Silbermann" Organ ; Bozeman-Gibson & Company. Cover Feature. | AmerOrganist(2) | 19 | 2 | 36-38 | ||
| | 32. | Suggestions for Playing the Works of Bach--VI: The Larger Chorals of Clavier-übung III. | AmerOrganist(2) | 19 | 2 | 56-57 | ||
| | 33. | Bachiana. | AmerOrganist(2) | 19 | 3 | 64 | ||
| | 34. | Bach in 1985. | AmerOrganist(2) | 19 | 3 | 65-67 | ||
| | 35. | A Journey to the Land of Bach. | AmerOrganist(2) | 19 | 3 | 68-72 | ||
| | 36. | The New Bach Edition. | AmerOrganist(2) | 19 | 3 | 73 | ||
| | 37. | The 'Orgelbüchlein'. | AmerOrganist(2) | 19 | 3 | 74-75 | ||
| | 38. | Bach's 'Orgelbüchlein': More Than Just a Liturgical Year. | AmerOrganist(2) | 19 | 3 | 76-78 | ||
| | 39. | The 'Orgelbüchlein': Musical Figures and Musical Expression. | AmerOrganist(2) | 19 | 3 | 79-81 | ||
| | 40. | The Organ Played by Bach. | AmerOrganist(2) | 19 | 3 | 82-95 | ||
| | 41. | Bach, the Organ Prover. | AmerOrganist(2) | 19 | 3 | 96-99 | ||
| | 42. | Bach and the Cadenza: An Examination of the Evidence. | AmerOrganist(2) | 19 | 3 | 100-105 | ||
| | 43. | Bach's Prelude and Fugue in G Major and Trio Sonata IV: Andante or Un Poco Allegro? | AmerOrganist(2) | 19 | 3 | 106-107 | ||
| | 44. | The Organ Works of J. S. Bach: A Critical Discography. | AmerOrganist(2) | 19 | 3 | 108-112 | ||
| | 45. | Influence of Johann Sebastian Bach and His Times on Organbuilding in America in the Late 20th Century. | AmerOrganist(2) | 19 | 3 | 113-117 | ||
| | 46. | Suggestions for Playing the Works of Bach--VII: The Smaller Pieces of Clavier-übung III. | AmerOrganist(2) | 19 | 3 | 118-119 | ||
| | 47. | Visiting the German Democratic Republik with Information from Bach-Related Interviews. | AmerOrganist(2) | 19 | 3 | 120-123 | ||
| | 48. | Samuel Wesley and the Bach Enthusiasts. | AmerOrganist(2) | 19 | 3 | 124-125 | ||
| | 49. | Bach's B-Minor Fugue, BWV 579: Corelli's B-Minor Sonata, Op. 3, No.4. | AmerOrganist(2) | 19 | 3 | 126-127 | ||
| | 50. | Bach's Choral Music: An Overview. | AmerOrganist(2) | 19 | 3 | 130-133 | ||
| | 51. | Bach Manuscripts in the Morgan Library. | AmerOrganist(2) | 19 | 3 | 137 | ||
| | 52. | Organ Settings of Luther Chorales | AmerOrganist(2) | 19 | 3 | 138-140 | ||
| | 53. | Suggestions for Playing the Works of Bach--VIII: Certain Early Preludes and Fugues: BWV 531 and 549. | AmerOrganist(2) | 19 | 4 | 82-84 | ||
| | 54. | Suggestions for Playing the Works of Bach--IX: The Italian music. | AmerOrganist(2) | 19 | 5 | 74-75 | ||
| | 55. | Suggestions for Playing the Works of Bach--X: The Transcriptions. | AmerOrganist(2) | 19 | 6 | 44-46 | ||
| | 56. | Suggestions for Playing the Works of J. S. Bach--XI: Chorale Fughettas. | AmerOrganist(2) | 19 | 7 | 56-58 | ||
| | 57. | Suggestions for Playing the Works of Bach--XII: Stylistic Allusions in Certain Mature Preludes. | AmerOrganist(2) | 19 | 8 | 38-40 | ||
| | 58. | Organic Bach! Marathon AGO Annual Fund Benefit. | AmerOrganist(2) | 19 | 9 | 48-49 | ||
| | 59. | Suggestions for Playing the Works of J. S. Bach--XIII: Manual Changing in Certain Fugues. | AmerOrganist(2) | 19 | 9 | 62-64 | ||
| | 60. | Suggestions for Playing the Works of Bach--XIV: Dividing Solo Lines Between the Hands; Clues to Articulation? | AmerOrganist(2) | 19 | 10 | 117-119 | ||
| | 61. | Suggestions for Playing the Works of Bach--XV: Some Issues Raised in Certain Early Chorales. | AmerOrganist(2) | 19 | 11 | 91-93 | ||
| | 62. | A Philatelic Celebrations of J. S. Bach's 300th Birthday. | AmerOrganist(2) | 19 | 12 | 48-49 | ||
| | 63. | The Organs Played by Bach: An Update. | AmerOrganist(2) | 19 | 12 | 50-58 | ||
| | 64. | Suggestions for Playing the Works of Bach--XVI: More Organ Works by J. S. Bach? | AmerOrganist(2) | 19 | 12 | 60-62 | ||
| | 65. | Variations on B-A-C-H. | AmerOrganist(2) | 19 | 12 | 68-73 | ||
| | 66. | Bach Organ Study Tour: Grand Rapids, Michigan, July 18-August 3. | AmerOrganist(2) | 19 | 12 | 76-77 | ||
| | 67. | Bach's Organ Chorales from the Neumeister Collection. | AmerOrganist(2) | 20 | 6 | 58-62 | ||
| | 68. | Bach's Organ Chorales from the Neumeister Collection. First Edition and Recordings. A Feature Review. | AmerOrganist(2) | 20 | 6 | 63-64 | ||
| | 69. | Bach and the Christmas carol. | AmerOrganist(2) | 20 | 11 | 25 | ||
| | 70. | Rhythmic Alteration - if any - in Bach's Organ Music. | AmerOrganist(2) | 21 | 6 | 40-48 | ||
| | 71. | AGO Service Playing Test Update Part one: J. S. Bach. | AmerOrganist(2) | 21 | 7 | 50-51 | ||
| | 72. | Sesquialtera in the Music of J. S. Bach. | AmerOrganist(2) | 21 | 10 | 50-53 | ||
| | 73. | AGO Colleague Examination Update Part Two. Bach and Handel. | AmerOrganist(2) | 21 | 11 | 82-83 | ||
| | 74. | Johann Christian Kittel's pedaling instructions. | AmerOrganist(2) | 21 | 12 | 68-69 | ||
| | 75. | Griepenkerl on Bach's Keyboard Technique: A Translation and Commentary. | AmerOrganist(2) | 22 | 1 | 63-65 | ||
| | 76. | Double-Titled Chorale Preludes of J. S. Bach. | AmerOrganist(2) | 22 | 2 | 50-52 | ||
| | 77. | The Uncollected Organ Chorales of J. S. Bach. | AmerOrganist(2) | 22 | 2 | 52-55 | ||
| | 78. | Small Can be Beautiful. Some Reflections on the Art of Registration. | AmerOrganist(2) | 23 | 5 | 69-73 | ||
| | 79. | Bach's Jesu, Joy of Man's Desiring. | AmerOrganist(2) | 23 | 9 | 71-73 | ||
| | 80. | The Trost Organ in Altenburg. | AmerOrganist(2) | 23 | 9 | 89 | ||
| | 81. | Bach Week: Columbia College a. Lutheran Theol. Southern Seminary. June 5-9, 1989. | AmerOrganist(2) | 23 | 10 | 98-99 | ||
| | 82. | University of Michigan Historic Tour XX 'In the Steps of Bach' June 5-19, 1989. | AmerOrganist(2) | 23 | 11 | 90-91 | ||
| | 83. | Bach The Cantor, The Capellmeister, and the Musical Scholar: Aspects of the B-Minor Mass. | AmerOrganist(2) | 24 | 1 | 71-73 | ||
| | 84. | New Franck Fingerings Brought to Light. | AmerOrganist(2) | 24 | 12 | 92-101 | ||
| | 85. | Bach's Toccata and Fugue in D Minor, BWV 538: A Rhythmic/Metric Perspective. | AmerOrganist(2) | 25 | 3 | 56-58 | ||
| | 86. | Tradition, Authenticity, and a Bach Chorale Prelude. | AmerOrganist(2) | 25 | 3 | 59-61 | ||
 | 87. | AGO Chapter of the Month: Santa Barbara Recreates 1716 Concert and Banquet. | AmerOrganist(2) | 25 | 12 | 46-47 | ||
| | 88. | Boston celebrates Bach's birthday. | AmerOrganist(2) | 26 | 12 | 38 | ||
| | 89. | J. S. Bach and the Fall of the Iron Curtain. | AmerOrganist(2) | 26 | 12 | 46-54 | ||
| | 90. | Information on Organ Registration From a Student of J. S. Bach. | AmerOrganist(2) | 27 | 6 | 58-63 | ||
| | 91. | CAGO exam. 1994: the Bach Repertoire. - Prelude in F Minor, BWV 534; Nun komm, der Heiden Heiland, BWV 659. | AmerOrganist(2) | 27 | 7 | 34-35 | ||
| | 92. | Mendelssohn's Commemorative Bach Recital of 1840. | AmerOrganist(2) | 27 | 9 | 62-65 | ||
| | 93. | Chant, Bach, and Popular Culture. | AmerOrganist(2) | 27 | 11 | 34, 36-39 | ||
| | 94. | The 'Art of Fugue' on the Organ. | AmerOrganist(2) | 28 | 1 | 61-65 | ||
| | 95. | Reconsidering the Primary Sources for J. S. Bach's Trio Sonatas. | AmerOrganist(2) | 28 | 10 | 58-60 | ||
| | 96. | Meditation on SDG or J.S. Bach Had the Right Idea. | AmerOrganist(2) | 29 | 1 | 63 | ||
| | 97. | Jacques Lemmens, Charles-Marie Widor, and the French Bach Tradition. | AmerOrganist(2) | 29 | 3 | 56-64 | ||
| | 98. | Samuel Wesley and the Well-Tempered Clavier: A Case Study in Bach Reception. | AmerOrganist(2) | 29 | 5 | 64-68 | ||
| | 99. | Bach's Organ Works: An Editorial Approach. | AmerOrganist(2) | 29 | 6 | 48-49 | ||
| | 100. | An Introduction to Werckmeister's Orgelprobe. | AmerOrganist(2) | 30 | 6 | 36-38 | ||
| | 101. | Gallomania, Marpurg, and Bach: Registration Possibilities for Bach's Late Organ Works. | AmerOrganist(2) | 30 | 10 | 63-68 | ||
| | 102. | The 'Bach' organ at Naumburg: A short introduction to its history, significance, and future. | AmerOrganist(2) | 32 | 6 | 58-60 | ||
| | 103. | J.S. Bach and the Musical Instruments of His Time - American Bach Society Biennial Meeting April 24-26, 1998. | AmerOrganist(2) | 32 | 9 | 68-70 | ||
| | 104. | Lincoln Center Festival '98, Bach Marathon. | AmerOrganist(2) | 32 | 10 | 54-55 | ||
| | 105. | The Relationship of Analysis and Performance: The Little Prelude in G Minor, BWV 558. | AmerOrganist(2) | 33 | 3 | 88-91 | ||
| | 106. | Poulenc's Concerto pour orgue: Bach, Liszt, and Stravinsky. | AmerOrganist(2) | 33 | 8 | 34-36 | ||
| | 107. | Computer-Generated Bach. Fifteen Two Part Inventions by David Cope (EMI). | AmerOrganist(2) | 33 | 9 | 66-69 | ||
| | 108. | Probing the Organ Works of Bach: Part I. | AmerOrganist(2) | 33 | 10 | 70-73 | ||
| | 109. | Probing the Organ Works of Bach: Part II. | AmerOrganist(2) | 33 | 11 | 62-66 | ||
| | 110. | Lessons from Leipzig: J.S. Bach's Audition for the St. Thomas Cantorate and Its Implications for Today's Church Music. | AmerOrganist(2) | 34 | 3 | 83-85 | ||
| | 111. | J.S. Bach's Piece d'Orgue: A New Edition. | AmerOrganist(2) | 34 | 5 | 74 | ||
| | 112. | Bach in America: American Bach Society biennial meeting. [Washington, D.C., 2000] | AmerOrganist(2) | 34 | 7 | 49-53 | ||
| | 113. | Pedal Technique in Early Music. | AmerOrganist(2) | 34 | 10 | 82-85 | ||
| | 114. | Nine Published Completions for Keyboard of BWV 1080, 19, from The Art of Fugue by J.S. Bach. | AmerOrganist(2) | 35 | 1 | 78-82 | ||
| | 115. | Gerhard Herz. | AmerOrganist(2) | 35 | 2 | 53 | ||
| | 116. | Probing the Organ Works of Bach, Part III. | AmerOrganist(2) | 35 | 7 | 51-52 | ||
| | 117. | Probing the Organ Works of Bach, Part IV. | AmerOrganist(2) | 35 | 8 | 58-60 | ||
| | 118. | Naumburg Restored! | AmerOrganist(2) | 36 | 2 | 67-68 | ||
| | 119. | Discovering Bach and Hildebrandt in Naumburg. | AmerOrganist(2) | 36 | 2 | 68-72 | ||
| | 120. | Organ tempo at the time of J.S. Bach. | AmerOrganist(2) | 36 | 7 | 56-60 | ||
| | 121. | More than meets the eye: Slurs and Metrical Ambiguities in Bach's Prelude and Fugue in E-flat (BWV 552). | AmerOrganist(2) | 36 | 10 | 68-71 | ||
| | 122. | Leipzig Bach Festival 2003. | AmerOrganist(2) | 37 | 9 | 61-62 | ||
| | 123. | Rosalyn Tureck. | AmerOrganist(2) | 37 | 11 | 44 | ||
| | 124. | CAGO Exam 2004, Bach Prelude in C minor, BWV 549, Adagio from Toccata in C, BWV 564. | AmerOrganist(2) | 38 | 1 | 72-73 | ||
| | 125. | Vox Humana: Bach by Immersion. | AmerOrganist(2) | 38 | 2 | 98 | ||
| | 126. | Anne Marsden Thomas's Organ Lesson XXII: 'Ach bleib' bei uns, Herr Jesu Christ.' | AmerOrganist(2) | 38 | 3 | 74-75 | ||
| | 127. | Musings: Bach at Home. | AmerOrganist(2) | 38 | 8 | 40-41 | ||
| | 128. | Anne Marsden Thomas's Organ Lesson XXIV: 'Short' Prelude and Fugue in C, BWV 553 (attributed to J. S. Bach). | AmerOrganist(2) | 38 | 8 | 42-43 | ||
| | 129. | Images of Bach, 13th Biennial Meeting of the American Bach Society Biennial Meeting, April 16-18, 2004. | AmerOrganist(2) | 38 | 8 | 68-72 | ||
| | 130. | The organ sonatas of Carl Philipp Emanuel Bach. | AmerOrganist(2) | 38 | 10 | 78-82 | ||
| | 131. | Not by Bach, Things I Learned on my Way to an Audition. | AmerOrganist(2) | 38 | 11 | 71-72 | ||
| | 132. | Make History--Become Part of Guinness World Records By Presenting Words of Albert Schweitzer and the Music of Bach Simultaneously with the Washington National Cathedral. | AmerOrganist(2) | 39 | 2 | 68 | ||
| | 133. | Felix Mendelssohn and J.S. Bach's Prelude and Fugue in E minor (BWV 533). | AmerOrganist(2) | 39 | 2 | 73-83 | ||
| | 134. | 2005 FAGO Exam Bach Repertoire, Fugue only, from Prelude and Fugue in E-flat, BWV 552; Un poco allegro (final movement) from Trio Sonata No. 4 in E Major [sic], BWV 528. | AmerOrganist(2) | 39 | 3 | 74-75 | ||
| | 135. | A Little More Muscle Please, Playing the Organ Before the 20th Century. | AmerOrganist(2) | 39 | 9 | 105-108 | ||
| | 136. | Colleague Exam Repertoire [BWV 579, etc.]. | AmerOrganist(2) | 39 | 11 | 54-55 | ||
| | 137. | Dresden's Frauenkirche, A Phoenix Rises With A New Organ. | AmerOrganist(2) | 40 | 3 | 66-69 | ||
| | 138. | Learn to Improvise in 15 Minutes a Day!: 'Nearer, My Bach, to Thee'. | AmerOrganist(2) | 40 | 10 | 106-107 | ||
| | 139. | 14th AGO National Conference on Organ Pedagogy - Nach Bach: From the Master to Mendelssohn. | AmerOrganist(2) | 40 | 10 | 64 | ||
| | 140. | Bach to Buxtehude Program: RCCO Brantfrod Centre, JANUARY 21, 2007. | AmerOrganist(2) | 41 | 5 | 70-71 | ||
| | 141. | RCL meets Bach using the Cantatas as Musical Commentary on the Readings of the Day. | AmerOrganist(2) | 41 | 6 | 92-93 | ||
| | 142. | Organ playing from Bach to Mendelssohn. | AmerOrganist(2) | 41 | 11 | 50-62 | ||
| | 143. | [Bach's autograph of BWV 7 in Teri Noel Towe's possession.] | AmerOrganist(2) | 42 | 12 | 46 | ||
| | 144. | Jesu, meine Freude: The prodigal's roundtrip journey. | AmerOrganist(2) | 43 | 8 | 48-53 | ||
| | 145. | Mendelssohn's dilemma: 'The collection of chorale preludes or the passacaille?' | AmerOrganist(2) | 43 | 1 | 66-71 | ||
| | 146. | Mendelssohn in Birmingham: The composer as organist, 1837 and 1840. | AmerOrganist(2) | 43 | 3 | 72-79 | ||
| | 147. | Vox Humana - our Bach. | AmerOrganist(2) | 44 | 3 | 47 | ||
| | 148. | The spiritual power of Bach's organ music in Japan. | AmerOrganist(2) | 44 | 3 | 81 | ||
| | 149. | James Kibbie's Bach adventure. | AmerOrganist(2) | 44 | 5 | 56-58 | ||
| | 150. | An Annual Bach Marathon. | AmerOrganist(2) | 44 | 8 | 33 | ||
| | 151. | The complete organ works of J.S. Bach: The Leupold Edition. | AmerOrganist(2) | 44 | 9 | 40-43 | ||
| | 152. | Bach's Organ World tour. | AmerOrganist(2) | 45 | 1 | 44-47 | ||
| | 153. | Performance considerations in J.S. Bach's prelude and fugue in C major, BWV 545. | AmerOrganist(2) | 45 | 2 | 56-59 | ||
| | 154. | Improvisation Initiatives: Bach and the Art of Improvisation. | AmerOrganist(2) | 45 | 9 | 40-41 | ||
| | 155. | Gregorian chant roots in the organ works of Johann Sebastian Bach. | AmerOrganist(2) | 46 | 3 | 58-60 | ||
| | 156. | Exorcising Completeness in the Pedal Exercitium. | AmerOrganist(2) | 46 | 10 | 62-69 | ||
| | 157. | 2012 Eastman Rochester Organ Initiative. | AmerOrganist(2) | 47 | 3 | 50-53 | ||
| | 158. | Stephen Layton on performing Bach's Christmas oratorio. | AmerOrganist(2) | 48 | 11 | 32-35 | ||
| | 159. | From Bach to beatbox at Royal Festival Hall. | AmerOrganist(2) | 48 | 7 | 28-33 | ||
| | 160. | J.S. Bach's choral prelude Wachet auf, ruft uns die stimme (from Schübler chorales, any edition). | AmerOrganist(2) | 49 | 8 | 50-52 | ||
| | 161. | J.S. Bach's Mein gläubiges Herze frohlocke: Mark Sedio's Rich in promise. | AmerOrganist(2) | 49 | 12 | 40 | ||
| | 162. | De profundis with trombones: An alternate performance of Bach's Aus tiefer Not schrei ich zu dir, BWV 585. | AmerOrganist(2) | 49 | 3 | 32-34 | ||
| | 163. | The legacy of the 'Bach organ'. | AmerOrganist(2) | 49 | 3 | 36-38 | ||
| | 164. | Touring Bach's organ world. | AmerOrganist(2) | 50 | 1 | 58-59 |